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Apr 18 2014

Check Out This Brilliant YouTube Video Scripted Entirely by Kids

By at 2:37 pm

If kids could write screenplays, what would they be like?

Here is a YouTube series which explores that very important existential question. In this brilliant short, “Salesman,” two kids script the scene and adults act it out. The results are hilarious.

Check it out the rest of the videos and then try it with your own kids!

 

Oct 28 2013

Interview with Interesting Jews: Actress & New Mom Shiri Appleby

By at 9:56 am

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Shiri Appleby has been acting in Hollywood since the age of 4, and now she has a baby of her own with chef and husband Jon Shook. The L.A. based pair welcomed little Natalie to the world seven months ago, and since then she’s been balancing the act of doting mama and busy actress. Most recently Shiri guest starred as girlfriend of main character Adam on the hit HBO series GIRLS, and will be appearing on the third season which airs January 12, 2014. Shiri also guest stars on the NBC drama, Chicago Fire.

Recently, I got a chance to chat with the sweet Ms. Appleby about acting, kvelling, being a new mom, and what it was like to work on the set of GIRLS.

Tell me a bit about your daughter Natalie.

Natalie is almost 7 months. She’s not really into toys; we were just talking about it. She’s more engaged in looking around her and seeing what’s going on. She’s really observant and likes to engage with people. She’s not really crawling, yet.

How do you and your husband split up parenting responsibilities?

Jon helps a lot with the night feedings and since he’s a chef, he cooks dinner for us. But I feel like parenting is a bit of a team sport in the sense that you do your portion until the other person is capable of doing their side. But he plays with the baby in the morning, and since I don’t work 9-5 it’s not too stressful. And my parents are really involved and have helped us a ton, too! Read the rest of this entry →

May 31 2012

My Stage Dad Moment

By at 9:35 am

To this story that was just posted on the McSweeney’s website  about baby photographer Anne Geddes who is fond of taking syrupy sweet pictures of little ones inside giant eggs and perched on large tulips, I just have to say yes, and more yes, and amen.

Together, we the Anne Geddes babies ask: How many sets of triplets must be stuffed into matching terra cotta pots freshly plied with breast milk and in a state of undress before enough is enough? How many oversized props must pile up in studio corners, snails upon bird baths upon acorns, before we recognize the monument we have built to poor self-image and willing infantilism? How many more toddlers must be kicked to the curb as they approach sentience and can no longer be easily crammed into a gourd before we assert that impossible puzzles are a marker of intellectual stasis? Read the rest of this entry →

Feb 23 2012

Sacha Baron Cohen Banned, and Other Pre-Oscar Drama

By at 3:32 pm

Lo and behold, the Oscars are this Sunday, and even before anyone has hit the red carpet, the drama has already begun.

Word has it that Jewish dad/famous actor Sacha Baron Cohen has been BANNED from attending. Even though Cohen is a member of the Academy and had a starring role in Hugo, one of the Best Picture Nominees, his tendency for red carpet “shenanigans” has warranted him a pretty serious threat from the Academy: “Unless they’re assured that nothing entertaining is going to happen on the Red Carpet, the Academy is not admitting Sacha Baron Cohen to the show.”

Entertainment at the Oscars? God forbid! Read the rest of this entry →

Nov 7 2011

Mayim Bialik on The Isolation Permutation

By at 3:38 pm

mayim bialik big bang theoryLast week’s episode of The Big Bang Theory was called “The Isolation Permutation,” and it was about my character, Amy Farrah Fowler feeling left out by her girlfriends. She spirals into a depression that includes playing “Everybody Hurts” on the harp (yes, it was really me playing), getting drunk in a liquor store parking lot (no, I wasn’t really drunk) and attempting to seduce Sheldon, her “not-boyfriend” (settling instead for possibly the most awkward cuddle in sitcom history).

The episode pulled in our third highest ratings ever, with 16 million people in America tuning in, and despite one reviewer noting that I am “not as attractive as Kaley Cuoco or Melissa Rauch” but am still amazing, the reviews were glowing and it’s super exciting.

You might be interested to know, however, that I was not watching along with the millions of Americans who tuned in. You see, I hate watching myself on TV. I hate hate hate hate hate it. I hate how I look, I hate how my voice sounds (kind of like Bea Arthur on a hoarse day), and I hate how my body looks bumpy, lumpy, and androgynous under several layers of over-sized clothes designed to hide my lady-like curves.

I am a very technical actor, and I am overall very tuned in to timing, editing, and camera shots of the scenes I participate in. So if lines are edited out, or if lulls in dialogue which we use as transitional gaps for acting purposes get clipped by editors, it doesn’t match what I experienced when I filmed, and I don’t like that. When things look, sound, or feel different on TV than they were when I performed them, it feels wrong. Wrong how? Wrong in the way that people with OCD get a “wrong” feeling when they can’t flip switches the “right” number of times. It’s just really really wrong.

The most significant reason I don’t watch myself, though, became very clear to articulate this past week when I did in fact see “The Isolation Permutation” as it was aired on our set for our studio audience a few days before TV viewers saw it. I watched along with our studio audience and I cringed throughout. Specifically, during the scene where my character seduces Sheldon. Performing that scene was by far the most interesting, gratifying, intense, and exciting scene I think I have ever performed as an actor. I don’t mean to wax poetic about my “thespian process,” but what I do is not done lightly. I take my work very seriously, and I work hard to create emotions and responses from audiences, as well as from the actors I work with. Read the rest of this entry →

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