Think about when you are in the midst of labor and you are going through the most intense and difficult–yet simultaneously the most meaningful–experience of your life. You are bringing a new human being into the world and you know that you will never, ever, forget these people–the nurses, obstetricians, midwives, and other medical staff–who helped you through this amazing day.
You know how, later on–maybe much later on–you realize that as meaningful as that day was to you, that to the nurses, obstetricians, and midwives who helped you, it was just another work day, and your peak experience wasn’t anything special? Remember how that revelation made you feel kind of sad?
I was recently prepping a meal to the soundtrack of my new favorite song, “Some Nights” by the indie rock band Fun. Suddenly, I realized the breakfast-for-dinner eggs were burning, and I was transfixed by the YouTube video streaming from my nearby laptop.
What was it about lead singer Nate Ruess that drew me in? Sure, he’s conventionally attractive. And his voice is a force—at once strong and lovely. But it was something else. How different he looked from anyone I knew. With those defined cheekbones, blue eyes, slightly upturned nose; he’s no Yeshiva boy.
Despite the apocalyptic weather conditions, New York City schools were OPEN today (because we’re crazy), but just about everywhere else in the country, flights were canceled, highways were gridlocked, and kids enjoyed a national snow day–even in North Carolina, which has been pummeled by an ice storm named Pax.
Well, two school administrators, headmaster Michael Ulku-Steiner and director Lee Hark at Durham Academy in North Carolina, broke the the news to students with a hilarious cover of Vanilla Ice’s ’90s hit–yup, you guessed it–”Ice, Ice, Baby.”
Enjoy the video and for god’s sake, don’t go outside!
At this point, every child in America has danced to Ylvis’ “What Does the Fox Say?” You may have even seen the children’s book version in stores. I am not ashamed to admit that I know the lyrics by heart and have caught myself singing the interlude softly on many a morning commute:
As a mom, there have only been a handful of times I have let my children see me cry. Yesterday, when I learned of the death of the great Pete Seeger, was one of those times. When I tried to explain who he was and some of the things he stood for, I could not complete my sentences. So I turned to YouTube and let Pete speak and sing for himself. Within minutes, my 4-year-old was dancing to “If I Had a Hammer,” and then we were all singing “We Are Not Afraid, To-day.” And of course, since we are farmers,“Inch by Inch.”
Meanwhile, my family and friends started sharing their personal Pete Seeger stories. My father told me about seeing him play near his cousins’ New Jersey chicken farm when he was a boy. My husband’s mother recalled seeing Pete play concerts at Jewish Community Centers near her home in Bayonne, New Jersey, during the 1950s when he was black-listed and few would hire him. My friend’s parents had a first date at a Pete Seeger concert. Other people sailed with him on the Clearwater or sang with him at summer camp, a political rally, or on a street corner.
This is my Pete story. I was raised on his music and my parents still keep his CDs on pretty much continuous loop in their house. When I was pregnant with my son seven years ago, I had placenta previa, a medical term for a low-lying placenta. The doctors said I would need a C-section if things did not change. I got even more worried when I had another ultrasound and the doctor was questioning whether the placenta was healthy in general. This was late in my pregnancy and that night I had a dream. Read the rest of this entry →
The other night, after dinner, my husband and I decided to play music for the fetus. We picked out a few of our favorite records, hooked a pair of studio monitor headphones into the record player, and began our baby’s musical education.
I’m the music teacher of my rural Maine island’s tiny k-12 public school and my husband and I are both musicians. We have a recording studio in our house, and spend all day surrounded by music, from beginner band to my husband unwinding with his nylon string guitar. I’m sure some of that filters through the amniotic sac and impacts the baby’s day, but we wanted to tailor a musical interlude to the baby.
I reclined on the couch and stretched the headphones across my 22-week belly. First up: Kraftwerk, Radio-Activity. We waited until the spoken introduction–a little ominous, I felt, was over and switched the audio into the headphones. The baby was quiet and still until the bass synth kicked in. She kicked, too, nailing the right headphone dead on. Read the rest of this entry →
“What is that?” our 6-year-old son asked, as he made a beeline towards the curious box propped against the wall. The kids were wandering around a cool freshly renovated motel room we had just checked into, doing their usual assessment and getting the lay of the land within the couple square 100 feet that would be home for one night. To them, the dusty mechanism propped above a portable speaker and topped with a rotating wheel and a moveable arm had an intense appeal, as did the collection of thin square cardboard folios, each emblazoned with different images, standing next to it.
What was an essential part of my upbringing has become a readily mocked symbol of anachronistic-obsessed hipster culture– and an unknown artifact to my kids. I was embarrassed and stunned that they’d never seen a record player before. But best of all, they loved this thing.
Prince’s 1999 stood at the front of the selection, which contained other significant records and artists of my late 1970s-through-1980s childhood and adolescence: Prince, Elvis Costello, Stevie Wonder. This motel knows its demographic, i.e. what the 30/40-somethings and the younger set who didn’t grow up with this music first hand might dig. I pulled disc one of 1999 (this was the double LP edition) out from the sleeve and put on side one. It contains three cuts that are both some of Prince’s best and PG rated–ok, more like PG-13 when factoring in the innuendo. We gave the title song, “Little Red Corvette,” and “Delirious” a few listens, and headed out to the pool. Read the rest of this entry →
Remember the things you used to do before you had kids? I used to practice music for hours. Like, three hours at a time. I’d work on some complicated passage and just go at it over and over and over until my fingers would cooperate effortlessly. It was a meditative practice for me, in a sense. I would go into my little isolated room and be by myself until I was ready to come out.
As you can imagine, with three small children at home, that kind of practicing does not happen anymore. And I used to use motherhood as an excuse for just not practicing at all.
On the rare occasion when I would sit down to practice, a few scenarios would happen: 1) I would be surrounded by little helpers, two on either side and one on my lap. While that had potential for a cute teaching moment, it was pretty much impossible to work on the actual music. 2) Someone would desperately need something. A toy. A drink. Attention. You name it. 3) The most heartbreaking scenario. One of my children would forlornly say, “Mommy, could you please not play that song?” Read the rest of this entry →
It’s not often we hear of a Ladino (Judeo-Spanish dialect) singing pop star with contemporary style such as Sarah Aroeste, a Sephardic singer who has spent the past 10 years harmonizing the sounds of tradition and modernity for audiences around the world.
Ladino dialect originated by Spanish Jews after their expulsion from Spain in 1492, and although it’s a fairly difficult language to come by, Ladino music is experiencing a slight revival, especially with singers such as Aroeste.
Even better, her video for “Ensuenyo Te Vi” features Sarah walking around in cork wedges, pool side, accompanied by a muscular man and cascades of roses. Oh yeah, and did we mention she was six months pregnant when the video was shot? And that she looks amazing? It’s worth a watch. Enjoy!
But now my passing admiration has blossomed into a much deeper and holistic appreciation of their music and purpose.
Coming from the deep southwest, we simply don’t have many (any?) Jewish musical groups to speak of. The whole concept of a Jewish boy band or a cappella group was entirely foreign to me until I heard The Maccabeats sing in their matching white shirts and yarmulkes.
My non-Jewish husband was so entertained by their Hanukkah video; he went so far as to purchase their album and surprised me with it. When he blasted it out, I remember hot tears of joy streaming down my cheeks. I had never heard Lekhah Dodi sound so beautiful. Read the rest of this entry →